The Mood Disorder Depression Essay -- Papers Depressive Psychiatry Ess

The Mood Disorder Depression Depression can be defined as an affective, or mood disorder characterized by mood deviations that exceed normal mood fluctuations. At its most extreme, depression can describe a psychotic state where the individual cannot function on his or her own. Everyone can go through times of feeling down for a period of time after having suffered a loss, but for people with the illness known as depression, these feelings of sadness can go on for long periods of time. In fact, about 1 in every 10 of us will be seriously depressed during sometime in our lives. As viewed by psychiatrists, depression is an illness in which a person experiences a marked change in their mood and in the way they view themselves and the world. Sometimes, depression seems to happen because of a stressful event, sometimes it seems to happen for no reason at all. Depression as a significant depressive disorder ranges from short in duration and mild to long term and very severe, even life threatening. Depressive disorders come in different forms, just as do other illnesses such as heart disease. The three most prevalent forms of depression are major depression, dysthymia, and bipolar disorder. Depression is a sickness which involves ones body, mood and thoughts, it even affects the way you eat and sleep. Depression strikes people of all ages, backgrounds, and ethnic groups. Approximately 20 million adults suffer from depression each year in the U.S. Up to 25% of all women and up to 12% of all men in the U.S. will experience an episode of major depression some time in their lives. 15% of those who suffer from depression kill themselves and succeed, and sadly many more attempt it. TYPES OF DEPRESSION ... ...d not stop taking the antidepressant medication without talking to the doctor. - Phase 3 of treatment can last another year, or longer. How long it lasts depends on the depressed person’s medical history and on the advice of the doctor or other healthcare professional. Not all people need to take their medication during Phase 3. Thus, depression the â€Å"common cold† of psychological disorders, which affects about 12 million Americans each year, is treatable but sadly many don’t get the proper treatment and so live in a world where nothing can go their way. As one person stated when asked, â€Å"What is depression like?† they replied â€Å"Its hell†¦you doubt your own worth in society and in anyone’s life, you believe no one cares, you do not care about what happens to you or the world...and you’d wish everything would slow down so you can know what to think of everything.†

Oedipus the King: A Theme Analysis

Oedipus the King is one of the group of three plays by Sophocles known as the Theban plays since they all relate to the destinies of the Theban family of the Oedipus and his children.   The other two plays of this group are Antigone and Oedipus at Colonus. Oedipus the King relates the story of Oedipus who reached Thebes, having killed on the way an old man with whom he picked a quarrel. The city of Thebes was then suffering terribly because of the monster, the Sphinx. He solved her riddle and citizens of Thebes offered him the kingdom as city is afflicted with the loss of their king, who had been murdered while on a pilgrimage.So he assumed the power and married the widowed queen. Here the tragedy of Oedipus takes its final course. As city was afflicted with famine, so Delphic oracles were consulted who disclosed that troubles of the city arose from the fact that it is harboring an unclean person, the murderer of late king Laius. Oedipus resolved to get to the bottom of this myster y and punish the wrongdoer. However, he ultimately discovered that the culprit he was seeking was none other than he himself. He blinded himself and went on exile. There are various standpoints for looking at the theme of the play.It may be considered as a play enacting the theme of insecurity and illusoriness of human happiness. Or the theme may be that of the inadequacy of human intelligence in resolving the riddles of destiny. The identification of themes in Oedipus differs from reader to reader and from critic to critic. I think that Sophocles wanted to convey that a man is plunged from prosperity and power to ruin ands ignominy due to his own human failings.   It was something[1] in his character that brought his tragedy. Anything foreign to his own character only augmented the tragic proceedings but it was only his own disposition that made him a prey to disgrace. Dodds is of the view, â€Å"If Oedipus is the innocent victim of a doom which he cannot avoid, does this not re duce him to a mere flaw puppet?† Whereas Knox (1984) is of the view that Oedipus’ tragedy takes place due to tragic flaw[s] and fate as no part to play in Oedious Rex.Distinguished Professor Butcher has identified four possible ranges of human failings in Oedipus. The foremost of these connotations is an error due to unavoidable ignorance of circumstances whereas an error caused by unawareness of conditions that might have been identified and for that reason to some extent morally blameworthy The third range is â€Å"A fault or error where the act is conscious and intentional, but not deliberate. Such acts are committed in anger or passion.† (313) Where as fourth one is â€Å"A fault of character distinct, on the one hand, from an isolated error, and, on the other, from the vice which has its seat in the depraved will†¦a flaw of character that is not tainted with a vicious purpose.† (315)The crucial point is that whether Sophocles wants us to think th at Oedipus has basically unsound character. One way of deciding this question is to examine what other characters in the play say about Oedipus. The only result that we can arrive at in this way is that Sophocles intends us to consider Oedipus an essentially noble person. In the opening scene of the play, the priest of Zeus refers to him as the greatest and noblest of men and the divinely inspired savior who saved Thebes from being destroyed by the Sphinx. The Chorus also considers him to be noble and virtuous. They refuse to believe in Tireseas accusations of him. When catastrophe befalls Oedipus, not a single character in the play justifies it as a doom which has deservedly overtaken Oedipus. (Dodds, p.39) So there were certain other tragic flaws that were acting behind the curtain to bring about Oedipus tragedy. Let us examine those.Oedipus seems to be obsessed with his own intelligence and this leads him to very unfortunate and uncomfortable situations. This human weakness[2] of Oedipus laps over with his pride as he is extremely proud of the fact that he was able to solve the riddle of the Sphinx which had proved too much for any other person. He thinks that Gods has capacitated him with intelligence and wisdom to solve riddle that the Thebes is afflicted with. Oedipus even taunts Tireseas on his inability in solving the Sphinx’s riddle. He says;And where were you, when the Dog-faced Witch was here?Have you any word of deliverance then for our people?There was a riddle too deep for common wits;A seer should have answered it, but answer there came noneFrom you†¦..  Ã‚   (12-16)After calling the soothsayer false prophet, Oedipus boasts of his own skill in having solved the puzzled which proved too much for the blind seer;Until I came—I, ignorant Oedipus, came—And stopped the riddler’s mouth, guessing he truthBy mother-wit, not bird-lore.  Ã‚   (17-19)So he describes Tireseas predictive cautions as the whims of a fanatic and opposes the seer’s prophecy with arguments of his own. Self-confidence and pride in his own wisdom is an outstanding feature of his character that also brings his tragedy. Here Oedipus also fulfills the traits of Aristotelian tragic hero as he possesses a noble tragic flaw. The man who sets out on his new task by sending first for the venerable seer is not lacking in pious reverence; but we also observe that Oedipus manifests unrestrained arrogance in his own intellectual achievement. No seer found the solution, this is Oedipus boast; no bird, no god revealed it to him, he â€Å"the utterly ignorant† had to come on his own and hit the mark by his own wit. This is a justified pride but it amounts too much. This pride and self-confidence induce Oedipus to despise prophecy and feel almost superior to the gods. He tell the people who pray for deliverance from pathos and miseries they are afflicted with if they listen to and follow his advice in order to get a remedy.La stly his unrelenting pursuit of the truth is demonstrated when he believes he is the murderer and that Polybus was not his father, yet he continues with his search with the statement, â€Å"I must pursue this trail to the end,†(p.55).   These characteristics were only fuel to the fire and added to the pride created a blaze that consumed him. Bernard Knox eulogizes Oedipus’ â€Å"dedication to truth, whatever the cost† (p.117)Another characteristics of his character that contributes toward his tragedy is Oedipus’ longing for thoroughness. His inquisitive nature is not content with anything which is either half-hearted or incomplete. Nor can he brook any delay. He damns that the direction of the oracle should be given effect at once. As before, Oedipus speaks on the basis of the workings of his own mental faculties that has been tested time and again and have proved their intelligence.It can be said that the tragedy of Oedipus is the result more of his go od qualities than his bad ones. It is his love for Thebes which makes him send Creon to Delphi to consult the Oracles. It is the same care for his subjects who make him proclaim a ban and a curse on the murderer of Laius. It is his absolute honesty which makes him include even himself within the curse and the punishment. He replies by saying â€Å"Sick as you are, not one is sick as I, each of you suffers in himself†¦but my spirit Groans for the city, for myself, for you†.  (62-62)He is angry with Tireseas because he is unable to tolerate the fact that   although the prophet says that he know who the murderer of Laius is , he refuses top give the information to the king. His rage and rashness is due to the fact that the masses are suffering and Tireseas does not provide the murderer’s name. Oedipus cannot but regard this as a clear manifestation of the seer’s disloyalty to his city.To Oedipus the discovery of truth is more important than his own good an d safety. Even when it seems that the investigation that he is carrying on will not produce any result which will be him, he decides to carry on with it. He is so honest with himself that he inflicts the punishment of self-blinding and banishment from the city of Thebes.So his moral goodness also seems as a human failing that brings his ruin.There is another important human failing that contribute toward his tragedy i.e. his intellectual myopia. He has a limited vision and is unable to assess the situations in a right perspective. Robert L. Kane (1975) puts this preposition in this way; â€Å"He[Oedipus] was the victim of an optical illusion†. (p. 196) The juxtaposition between â€Å"outward magnificence and inward blindness of Oedipus and the outward blindness and inward sight of the prophet† (Kirkwood, p. 130) depicts two types of blindness i.e. physical and intellectual. One is related to physical sight whereas the other, the most pernicious type of blindness, perta ins to insight. Tiresias is physically blind but whereas Oedipus is blind intellectually. This intellectual blindness of Oedipus also contributes greatly to lead him to his tragic destination.Oedipus possesses faultless physical vision throughout play except in the end but he remains blind to the reality regarding himself. At one point in the play, he has the ability to see but he is not willing to do so. He intellectual vision comes with his physical loss of sight but he is unable to cast away the psychological â€Å"slings and arrows† and mental sufferings that intellectual blindness has afflicted on him. So his blindness, both intellectual at the start of the play and physical at the end of the day, is the worst.Blindness interweaves with the main plot from the very start of the play when Oedipus says, â€Å"I would be blind to misery not to pity my people kneeling at my feet. (14)† It manifest that he refers to blindness that if h will not recognize the distress of his people. This shows his physical sight but intellectual blindness as he himself was the cause of those afflictions.   Later he acknowledges that although Tiresias is physically blind but has prophetic power when he says, â€Å"Blind as you are, you can feel all the more what sickness haunts our city. (344)†. Tiresias response refers to the gravity of Oedipus’ inability to see his future. He says, â€Å"How terrible – to see the truth when the truth is only pain to him who sees! (359)†Later on Oedipus denounces his own acknowledgement of Tiresias as a seer and abuses him by saying, â€Å"You've lost your power, stone-blind, stone-deaf – senses, eyes blind as stone!(423)† and â€Å"Blind, lost in the night, endless night that nursed you! You can't hurt me or anyone else who sees the light – you can never touch me. (425)†. It is illustrated that it is Oedipus who is blind intellectually as he is not willing to comprehend the situation and to understand the truth. In retort to his slur, Tiresias refers to worst form of blindness that Oedipus is suffering. He says, â€Å"You with your precious eyes, you're blind to the corruption of your life, to the house you live in, those who live with – who are your parents? (470)† and foretell, â€Å"Blind who now has eyes, beggar who now is rich, he will grope his way toward a foreign soil, a stick tapping before him step by step. (517)†.These supportive texts clearly manifest that Oedipus was afflicted with severe intellectual myopia as he was unable t see the truth that was pervasive all around him. Actually he was unwilling to see truth around him, prior to his physical blindness and afterwards as he blinds himself not to observe the things around him. His is the most insidious form of blindness.Oedipus can be held guilty due to another human flaw—his inability to take appropriate preventive measures. It is said that he fails to take logical steps and precaution s which would have saved him from committing the crimes.  Ã¢â‚¬Å"Could not Oedipus†¦have escaped his doom if he had been more careful? Knowing that he was in danger of committing parricide and incest, would not really a prudent man have avoided quarrelling, even in self-defense and also love-relations with women older than himself?†¦ real life I suppose he might. But we not entitled to blame Oedipus either for carelessness failing to compile a hand list or lack of self-control in failing to obey its injunctions.†Ã‚  Ã‚   (Dodds, p.40)Oedipus has necessary human failings of anger and rashness. He rashly jumps into conclusions. Choragos points this out in scene II after a long speech by Creon who tries o remove the ill-fed and hastily formed suspicions of Oedipus about Creon. They say, â€Å"Judgments too quickly formed are dangerous† (II, 101)But Oedipus justifies this, arguing that ruler have to take quick decision. He says later on, â€Å"But is he not quick in his duplicity? / And shall I not be quick to parry him?† (II, 102-103) Later at the conclusion of scene II, Creon indicates the same fault in his character by saying, â€Å"Ugly in yielding, as you were ugly in rage! / Nature like yours chiefly torments themselves.† (II, 151-152) It is this rashness that makes to not merely suspect Creon but accuse him and even declares that he deserves the sentence of death. The rashness can be observed in his treatment of Tireseas. Oedipus does not lack analytical thinking but his rashness does permit him to weigh up the situation rightly and he makes hasty decision. In retrospect we see that rashness of Oedipus has something to do with the murder Laius at the hands of Oedipus. The self-blinding also is an act of rashness although Oedipus tries to give several arguments in favor of it.His bad temperament is demonstrated in the squabble between Teiresias and himself, where Teiresias utter the propheti c truth and Oedipus retorts, â€Å"Do you think you can say such things with impunity?† and afterward attributes him as a â€Å"Shameless and brainless, sightless, senseless sot!†(p.36). His character is further marked with suspicion about Creon to whom he considers as a conspirator. Kirkwood is of the view that â€Å"The Creon he [Oedipus] is battling is a figment of his imagination† (Kirkwood, 1958. p. 132) and nothing else. He says with reference his tà ªte-à  -tà ªte with Tiresaeas, â€Å"Creon! Was this trick his, then, if not yours?† So here his imagination works together with anger and rashness.All the above-mentioned manifestations of tragic flaw, their supported arguments and views of the critics clearly proves the thesis that Oedipus unavoidable ignorance was the major factor of his tragedy because he was unable to locate that the man whom he assaulted on the crossroads to Thebes was his father. Secondly, if he would not have been occupied by his aspirations, he would have possibly explored the horror of his deed and could have avoided the additional tricky situations by not marrying his mother. Thirdly, his â€Å"conscious and intentional† act includes his decision to â€Å"bring what is dark to light† (133).Furthermore, as result to revelation of Tireseas, he charges Creon with conspiracy and murder and denounces Tireases as an accessory. Although these actions were intentional and bring Oedipus to tragic end but have a clear background that illustrate that these actions were not â€Å"deliberate†. Fourthly, all these errors originate from a hasty and obstinate temperament, unjustified anger and excessive pride that compel him to an energized inquisitiveness. With the development of the plot, all these ascriptions of his character jumps back with amplified force on his head that finally culminates at his tragedy. Knox (1957) sums up in this way;â€Å"the actions of Oedipus that produce the catast rophe stem from all sides of his character; no one particular action is more essential than any other; they are all essential and they involve not any one trait of character which might be designated a hamartia but the character of Oedipus as a whole† (31).Here I want to point out that all these human failings were not innate or inborn but he developed these as his habitual formations. It was inculcated in his spirit so that it became a part of his natural disposition. If it were innate then he could not be blamed for his downfall. It was human failings rather than the destiny that brought his tragedy. So Sophocles has successfully put across that a man is plunged from prosperity and power to ruin ands ignominy due to his own human failings.ReferencesBloom, Harold. Sophocles' Oedipus Rex. : New York : Chelsea House Publishers. 1988. Butcher, S.H. Aritotle’s theory of Poetry and Fine Arts. Hell and Wang: New York. 1961.Dodds, E. R. On Misunderstanding the Oedipus. Greece & Rome. Vo. 13. No. 1. (Apr.1966). Pp. 37-49.Cook, Albert Spaulding. Oedipus Rex, a mirror for Greek drama. Prospect Heights, Ill. : Waveland Press.1982. Gould, Thomas. Greek tragedy. Cambridge ; New York : Cambridge University Press. 1977. Gould, Thomas. Oedipus the King: A Translation with Commentary. Englewood Cliffs. 1970. Kane, Robert L. Prophecy and Perception in the Oedipus Rex. Transaction of theAmerican Philological Association. Vol. 105 (1975). pp. 189-208.Kirkwood, G.M. A study of Sophoclean drama. Ithaca, N.Y., Cornell University Press. 1958. Knox, Bernard. Oedipus at Thebes. New Haven: Yale University Press, 1957. Knox, Bernard. Introduction to The Three Theban Plays. New York & London: PenguinBooks,1984.O’ Brien, John M. Twentieth century interpretations of Oedipus Rex; a collection of critical essays. Englewood Cliffs, N.J., Prentice-Hall. 1968 [1] Moral flaw, habitual formations, behavioral defect etc. [2] in any other context, pride in one’s intelligence cannot not a human weakness but course of the play depicts clearly that in Oedipus the King it was a human weakness.

Outsourcing Of The United States - 1355 Words

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Media and Body Image - 729 Words

Ever wonder why more and more teenagers are having issues with their body image? As society grows, more and more young adults are becoming self-conscious about their bodies and how they look. Girls and boys alike are taught, though not verbally how they should look, from celebrities they see on TV to toys they used to play with and magazines they read on a daily basis. Media make being satisfied with how your body looks extremely difficult and it is getting out of hand. More and more young adults are developing eating disorders because they strive for the perfect body. What is body image? Body image is how a person sees themselves, how they think others perceive them and how they feel in their body. Though how a person sees themselves may not be how other people see them. Body image goes hand in hand with self-esteem though they are not the same thing. Self- esteem is having respect for yourself, and being confident in your abilities (Merriam-Webster, 1). A person would assume that t here is no way for children to have issues with body image but, it is something that is completely possible. For young girls this comes in the form of Barbie, while for young boys it comes in the form of G.I Joe. Both toy have unrealistic body proportions if they were to be real humans. The way that Barbie and G.I Joe are portrayed make children want to be them and that is extremely unhealthy. Galia Slayen a Hamilton college student attempted to build a life size Barbie doll. She discoveredShow MoreRelatedThe Media And Body Image1453 Words   |  6 Pagesknow that the media and body image are closely related. Particularly, how the body image advertising portrays affects our own body image. Research documented adolescents as they are more at risk for developing unhealthy attitudes toward their bodies. They are at a time where they re focused on developing their individual identities, making them susceptible to social pressure and media images. A major reason many people have a negat ive body image is because of the impact that the media has had on ourRead MoreMedia and Body Image1118 Words   |  4 PagesThe media has become a powerful source for changes in our society. There are so many factors and reasons for our society changing. Today I find most people obsessively worried about their body image. We all have a body and at one time or another, we worry about it. Women and men are both being affected by media sources such as television, advertising, magazines, music, and video games; not to mention the photo manipulation that goes along with it all. Questions can be asked; such as, â€Å"Is this theRead MoreThe Media Of Body Image2000 Words   |  8 PagesOnce upon a time, you probably liked your body and appreciated the many things it could do, but the route to adulthood, doubts and insecurities may have crept in. The images the media exposures the society to are of thin and beautiful women and extremely muscular men. There are negative affects to what t he media is showing the body image and mood states of young women and men. The mass media is designed to reach large audiences through the use of technology. From the moment nations wakes up untilRead MoreThe Impact Of Media On Body Image1538 Words   |  7 Pagesthe concept of body image is influenced by external factors as culture, society norms, especially with the development of modern social media, it has grown up to be an important element in affecting the perception of body image to shape the body image. The influence of mass media may be related to the social comparison process of appearance in female and male. The ideal media body image, it is easy to compare in everyday life, and that will result to dissatisfaction with people s body size. On theRead MoreMedia Vs. Body Image1374 Words   |  6 Pages029 October 17, 2015 Media vs. the body Image Body image remains to be a very controversial topic in today’s society, because of how easy it is to become a hate crime over a small comment on how small or big someone’s body is. Today, it is unavoidable to see the look that it seems society wants us to look. Professor Susan Bordo writes the article, â€Å"Never Just Pictures†, describing her investigation between the media and its effects on how people view their bodies. She uses ethos, logos, andRead MoreThe Media and Body Image Essay990 Words   |  4 PagesMass media is designed to reach large audiences with technology. Its purpose is meant to give us entertainment and information we need to act as a society. Media is everywhere; there is no escaping from it. Almost every home in America has at least one TV, the internet, and a cell phone. You cannot drive down the street without seeing billboard signs. Checking out at the grocery store can be tricky if trying to avoid magazines. There are more forms of media available today then ever before; consequentlyRead MoreMedia Effects On Body Image Essay1648 Words   |  7 PagesSpecific age groups and mostly women have been studied regarding media effects on body image. These studies did not test the external stimuli created by peer groups that have an impact on a person’s self-idealization. This study addressed individual age groups divided by gender in order to determine how much media effects body idealization and if gender peer group opinions impact self-idealization when viewing media models. Methods The methods used in this study incorporated individuals into groupsRead MoreThe Effects Of Media On Body Image1484 Words   |  6 Pages Media has developed to become omnipresent in the day to day lives of the westernized societies. The media is considered a gigantic umbrella that houses a plethora of different outlets underneath it such as television, music videos, magazines, commercials, video games and social media. In this paper, the effects of media and various media types are examined to understand their potential outcomes. Focusing on how and if media affects body image in girls and women, the themes of dieting awarenessRead MoreMedia Effects Body Image1656 Words   |  7 PagesApril 6, 2014 The Effects of Mass Media on African American Women Body Images Over the past 10 years, mass media and the access to social networks has evolved substantially causing the effects of negative self-image and what is considered beautiful. Body image expectations for both African-American male and female share the battles of society’s expectations, yet African American women body images come with a stricter and more unhealthy stigma; growth of social media such as Facebook, Instagram andRead MoreEffects of Media on Body Image855 Words   |  3 PagesEffects of Media on Body Image Discussion This study was conducted to analyze the impact of media, mainly fashion magazines, on how women perceived the idealized body weight and shape as well as the impact of media on the decision to diet or initiate an exercise program. Twenty working class women were given questionnaires at different times. The exposure to fashion magazines was assessed by determining whether the participant was a high level frequency viewer of fashion magazines, viewing them

Play Essay Example For Students

Play Essay The street crossing between 14th street and 15th ave. Holden bumps into Eminem. Holden: (stuttering) Um.um I, I am sorry mister. Eminem: See normally I would beat you up but you seem like a nice guy so its ok.no problem. Scene 1:Characters-Jessica, Marissa and MarySetting- Glencoe Police Station, The two girls have been arrested for possession of marijuana Mary: Ok girls. (All three girls giggle)Mary: Im going to take care of a few things, Ill be right back. Mary gathers the papers in her hands and leaves the roomMarissa: She is so nice!Jessica: I know, I wonder if maybe shell just let me stay here for a nightMarissa: Im sure it could be arranged, do you mind if I ask why though?Jessica: I just am thinking it would have to be the safest place for me once my parents find out.. It cant be so bad, free food, a place to sleep. The clothing isnt that great, but Im sure eventually I would adjust. Marissa: Yeah, thats a good plan, Im sure a little north shore girl like you could last 10 minutes in prison. Jessica: Hey, I could too. How hard could it really be?Marissa: Havent you ever seen Oz?Jessica rolls her eyes at MarissaMarissa: What! I was kidding!Jessica: This is really neither the time nor the place. Marissa: Sorry (mumbles) just trying to ease the tensionMary walks back into the room with a phone in her handMary: Here Jessica, you want to try your parents again?Mary hands Jessica the phoneJessica: Thanks. Everyone pauses a second as we wait for Jessicas parents to answer the phone, however, she cannot get a hold of themJessica: No ones homeMary: Do they have a cell phone you could try them on?Jessica: Yeah, one sec. Everyone pauses again as Jessica once again tried to contact her parents. Jessica: No answerShit. Mary: Itll be ok, you can try again in 10 minutes. Ill just go put this backMary leaves the room to put the phone awayMarissa: Are you ok honey?Jessica: Kinda this is like adding insult to injury, the waiting is killing me. I mean I know it would be hard, but I would at least feel better if they just knew. If I could talk to them for a second. Marissa: Itll all be alright, dont worryJessica: (grunts)Mary walks back into the roomMary: Marissa, your father is here to get youJessica: Duh-duh-duh-duh-DUHMary and Jessica: Hehehe Marissa: SHHH! This is not a laughing matter (grinning)Marissa walks over and gives Jessica a hugJessica: Good luck RisMarissa: You too sweetie Marissa and Jessica: Bye. Marissa and Mary leave the roomJessica turns towards the audience and speaks to them, as she will several times throughout the play. This will be indicated by Jessicas line being fully underlined in the script. Jessica: So I guess you are wondering how it is I landed myself here? Where should I startI suppose Park Street is as good of a place as any .ueed0eb56a7f3486ce8f88708ccc307ee , .ueed0eb56a7f3486ce8f88708ccc307ee .postImageUrl , .ueed0eb56a7f3486ce8f88708ccc307ee .centered-text-area { min-height: 80px; position: relative; } .ueed0eb56a7f3486ce8f88708ccc307ee , .ueed0eb56a7f3486ce8f88708ccc307ee:hover , .ueed0eb56a7f3486ce8f88708ccc307ee:visited , .ueed0eb56a7f3486ce8f88708ccc307ee:active { border:0!important; } .ueed0eb56a7f3486ce8f88708ccc307ee .clearfix:after { content: ""; display: table; clear: both; } .ueed0eb56a7f3486ce8f88708ccc307ee { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ueed0eb56a7f3486ce8f88708ccc307ee:active , .ueed0eb56a7f3486ce8f88708ccc307ee:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ueed0eb56a7f3486ce8f88708ccc307ee .centered-text-area { width: 100%; position: relative ; } .ueed0eb56a7f3486ce8f88708ccc307ee .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ueed0eb56a7f3486ce8f88708ccc307ee .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ueed0eb56a7f3486ce8f88708ccc307ee .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ueed0eb56a7f3486ce8f88708ccc307ee:hover .ctaButton { background-color: #34495E!important; } .ueed0eb56a7f3486ce8f88708ccc307ee .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ueed0eb56a7f3486ce8f88708ccc307ee .ueed0eb56a7f3486ce8f88708ccc307ee-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ueed0eb56a7f3486ce8f88708ccc307ee:after { content: ""; display: block; clear: both; } READ: Evidence of The Fantasy Theme EssayScene 2:Characters-Jessica, Marissa, Mary and Brian Setting- The two girls after smoking quite a bit of marijuana are driving along Sheridan Road. Jessica: Stop! Jessica: This is my friend Marissa. She is driving my car, and not very well. Marissa: Ooops (giggles) I thought it was a stop sign (continues to laugh)Jessica: You are going to get us busted! Seriously, you need to calm down, how could you get that confused with a stop sign anyway?Jessica: Ok, so Im a little paranoid, but wouldnt you be too? What kind of an idiot thinks a stoplight is a stop sign?Marissa: (in a more serious tone) I thought it was a blinking red, I didnt know, relax. Jessica: (mumbling) Youre relaxed enough for the both of us. Marissa: What?Jessica:

The Paradox of Synergy and Responsiveness Essay Example

The Paradox of Synergy and Responsiveness Essay The corporate realm is today made very complex by the fact that businesses are increasingly consolidated and large. This is to say that practices of creating multilayered firms in both the serve and the product industries have created business models that must depend on both large and small goals. For a large firm which holds many different types of operations, making the right decisions for how to best manage these individual units while still promoting a larger and singular identity can be a big determinant of success. This discussion is guided by the concept found in the De Wit and Meyer text, stating that such large firms must deal with the so-called Paradox of Synergy and Responsiveness. According to this paradox, it is a constant challenge for large firms to find a balance between the interest of consolidating its brand identity into a single, monolithic corporate structure and the interest in responding with sensitivity to the needs presented by individual factors. As the discussion and the selected case study example will show, individual factors such as customer orientation, financial performance and industry conditions. In the paradox between these two sometimes opposite demands, companies must often make hard decisions about how to pursue their operations. In the context of something such as the service industry, we can see that the achievement of this balance will be directly related to how a business manages its portfolio of operations. We will write a custom essay sample on The Paradox of Synergy and Responsiveness specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Paradox of Synergy and Responsiveness specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Paradox of Synergy and Responsiveness specifically for you FOR ONLY $16.38 $13.9/page Hire Writer For the ever-growing service industry, this causes an interesting investigation into the way that unit management can be central to an operation. The approach taken by a company in the hospitality sector of the service industry, for example, should serve as a useful illustration of how organizations approach a market shaped by the De Wit and Meyer paradox. Introduction: In our consideration of the Marriott Corporation, which is an extremely successful service sector company, we can see that the way a company moves its operational assets around will be important to its management effectiveness. According to the article entitled Marriott Corporation: The Cost of Capital, the hospitality industry has been through both very fast growth and very sharp retraction. This has been particularly true for Marriott, which seized on an era of increased tourism and hospitality investment in order to catapult to the top of the market. However, changing market realities and the increased nuance of the hospitality industry would force Marriott to consider altering its corporate structure so it could make a change to a context where it could more effectively approach hurdles distinct to individual divisions. This would be a demonstration of its responsiveness, even as synergy had been the primary guide in its initial growth. The example here, based on the discuss at hand, will remark upon the strategies regarding capital investment, stakeholder responsibility and debt management which would effectively be approached by the corporation in managing its portfolio of units. The primary avenue to be taken by Marriott in achieving the goal of managing its operational orientation would be the creation of a new department with a more refined focus on financial strategies and investment properties relating to the specific aspect of hotel management (as opposed to the real-estate operation) For the stock-holder, this would mean more directed and informed decisions as well as a relative insulation from revenue trends, making for a more stable market in times of real estate instability. Again, we can see that Marriott would be turning toward a strategy of responsiveness. Such is to say that Marriot determined to protect the value of its existing capital by establishing a circumstance in which growth and synergy could no longer be identified as the primary interest. Instead, ensuring the retention of capital at a rate justifying its debt condition, Marriott would being a new phase in its history in which hurdle rates for achieving growth would be purposefully higher. In this way, even growth would be directed from corporate HQ by responsive rather than synthetic origins. In our research, we find that the Marriot transition was not without its costs. These would make Marriott go through some real economic changes that are part of the paradox between synthesis and responsiveness. By being forced to change operational gears, Marriott would experience a decline in earnings during its period of transformation. Due to the debt challenges noted, Marriott’s bond ratings, declined to a B level according to both SP and Moody’s in the face of real estate declines, have resulted in a higher long-term expense on new bond issues for the company. One of the key ways that Marriott would deal with its debt maturities in order to afford the transition would be in its mortgage financing of its ‘trophy’ properties, which were those continually successful marquis lodging facilities there were no longer in any mortgage debt. The greatest concern to manu financial institutions in this case was the condition that Marriott’s heavy dependency on invested debt might create a scenario where it would be incapable of covering its obligations. Naturally, this is a fear which is facing so many corporations on this scale today. That shows just how relevant the paradox discussed is. That is why the Marriott example is very useful, because it would use portfolio management strategies to deal with this financial risk. Marriott would basically create a spin-off in its new management company. A spin-off is the divestment of a company in which, rather than selling off aspects of itself in poor market conditions, it distinguishes one aspect of itself to be set apart as an independent business. This independent business will take on its own structural and financial parameters while retaining branding, technology and, in some instances, access to assets, of the parent company. This would be the essential response by Marriott to the distinct obstacles created by the changing market, particularly in consideration of the corporate retraction likely due to markedly rapid corporate growth. The divestment of the company into management and real estate firms would essentially serve to unlock the company’s assets to the benefit of the stakeholder, with the stock owners particularly served by this approach. We can therefore ultimately begin to resolve that the approach taken by Marriott would be a natural outcome in consequence to its singularly high rate of growth from a synergy centered strategy and what might be characterized as its saturation of its own market. The impact would require a responsiveness in a market approach to diminishing the corporations inherency toward this rate of growth. Though we can suggest that the consequences are likely to be somewhat severe to the organization’s personnel and resource orientation in the short term, it will undoubtedly benefit the value and extent of capital usability for individual facilities, thus improving quality organization-wide. Works Cited De Wit, B. Meyer, R. (1999). Strategy Synthesis. International Thomson Business. Ruback, R. S. (1998). Marriot Corp. : The Cost of Capital. Harvard Business Publishing.